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Neumann M149 Tube Microphone

Neumann M149 Tube Microphone
$5,049.95

The M149 Tube is a large-diaphragm condenser microphone with switchable polar patterns. It is the first new 'Tube' microphone design from Neumann in over 30 years, and also the world's first transformerless tube microphone. The head grill is instantly recognizable to vintage Neumann afficionados as that of the classic M49/M50. The capsule (K49), also from the M49, is a select version of the K47 capsule from the famous U47. The M149 Tube has the lowest self-noise of any tube microphone on the market and features 9 polar patterns switchable on the microphone body. There is also a 7 position high-pass filter on the rear of the microphone body. The circuitry of the M149 Tube includes a tube amplifier coupled with the FET 100 transformerless circuitry as used in the award-winning TLM50 microphone. Neumann has been approached by scores of customers asking them to build the classic U47 again. Unfortunately, the VF14 tube of the U47 is no longer available. Neumann has optimized the M149 Tube to have a sound "character" very similar to the U47. Also, by incorporating modern technology with the tube amplifier, they are able to produce a tube microphone with unprecedented specifications. Vintage and modern technology combined!The M149 tube won the TEC award in 1999. Specifications Directional patterns: Nine different patterns with Omni, Cardioid, Wide-Angle Cardioid, Hypercardioid, and Figure 8 Acoustic operating principle: Pressure Gradient Transducer (K49 Capsule) Frequency Range: 20 to 20 kHz Sensitivity: 30/44/55 mV/Pa Rated Impedance: 50 ohms Equivalent loudness level due to inherent noise: (DIN 45 405 CCIR 468-3) 28/25/23 dB (DIN/IEC 651) 16/13/11 dB-A S/N ratio related at 1 Pa at 1 kHz: (CCIR) 66/69/71 dB (A-weighted) 78/81/83 dB-A Typical SPL (tube characteristic) for less than 0.5% THD: 114 dB Typical SPL (tube characteristic) for less than 5.0% THD: 134 dB Total dynamic range of the microphone amplifier (cardioid) with max. o

Neumann SKM184 Microphone Set Black Color

Neumann SKM184 Microphone Set Black Color
$1,599.95

The KM 184 (cardioid) in particular has become the classic high-quality miniature microphone. Now also available in attractive stereo sets, with cardioid, hypercardioid or omni directional characteristics.

Neumann TLM103 Cardioid Studio Condenser Microphone with SG1 mount and box - Black

Neumann TLM103 Cardioid Studio Condenser Microphone with SG1 mount and box - Black
$1,099.95

The TLM 103 is the ideal large diaphragm microphone for all professional and semi-professional applications requiring the utmost in sound quality on a limited budget.By utilizing the tried and true transformerless circuit found in numerous Neumann microphones, the TLM 103 features yet unattained low self-noise and the highest sound pressure level transmission. The capsule, derived from that used in the U 87, has a cardioid pattern, is acoustically well-balanced and provides extraordinary attenuation of signals from the rear.The TLM 103 is available in satin nickel and matte black. Delivery includes an SG 1 metal swivel mount and a wooden jeweler's box.

Blue Microphones Blueberry Cardioid Condenser Microphone

Blue Microphones Blueberry Cardioid Condenser Microphone
$999.99

The Blue Microphones Blueberry consists of a Class A discrete microphone amplifier perfectly matched to BLUE's single pattern, cardioid, hand built large diaphragm capsule. First and foremost, the Blueberry has been designed to provide the commanding, intimate presence associated with the world's best (and most expensive) vintage vocal microphones. With its shimmering, detailed highs, smooth midrange, and minimized proximity effect (a bass boost inherent in all unidirectional mics), the Blueberry excels at delivering a vocal right to the front of the mix where it belongs. When processed with limiting and/or compression, as is standard practice for most pop vocals, tracks recorded with the Blueberry will be free of pumping, low frequency thumps. Acoustic guitar, hand percussion, drums, and other critical high end sources also shine in front of the Blueberry, gaining an extra measure of presence that enables the most delicate sounds to cut through a mix, even at very low levels. Designed to fill the needs of the home musician and the professional alike, the Blueberry includes the Series Two Shockmount and comes handsomely packaged in its own cherrywood box. Whatever your music, add a Blueberry to the mix and let your ears feast on the sound. Review Guitar World (September 2003)Shocking Blues: Blue Microphones Dragonfly, Blueberry and Baby Bottle Capture the Heart of What's in Your Head With BLUE Microphones BLUE microphones are more than just a recording tool, they are an investment in value, quality, and expression. You will display them for their artistic beauty, covet and protect them for their investment value, and treasure them for conveying the heart and soul of any musical recording. BLUE stands for Baltic Latvian Univ

AKG Pro Audio C414 XLS Instrument Condenser Microphone, Multipattern

AKG Pro Audio C414 XLS Instrument Condenser Microphone, Multipattern
$999.00

If you don't recognize this mic, let us introduce you. C414 XLS, this is a future recording legend. Future recording legend, this is one of the most popular microphones on the entire ever-lovin' surface of the planet. Seriously, for over six decades, the AKG C414 (in one iteration or another) has been capturing voices and performances in the the leading studios and broadcast stations anywhere. Why? Because this multi-pattern workhorse mic sounds amazing on just about anything. No, really, we're sure you've heard that a lot, but in this case it's actually true. In fact, there are few microphones as widely used/loved/accepted as an industry standard as the C414 XLS. That's why you'll find a pair in just about every major studio.

Neumann KM185 hypercardioid condenser mic Matte Black

Neumann KM185 hypercardioid condenser mic Matte Black
$899.95

KM185 hypercardioid condenser mic Matte Black

Audio-Technica AEW-T5400C Handheld Microphone/Transmitter

Audio-Technica AEW-T5400C Handheld Microphone/Transmitter
$879.00

Handheld mic/transmitter with AEW-C5400 cardioid condenser capsule and a metal-body construction. Microphone has an operating frequency of 541.500 - 566.375 MHz (TV Channels 25 - 30).

Audio-Technica AEW-T5400D Handheld Microphone/Transmitter

Audio-Technica AEW-T5400D Handheld Microphone/Transmitter
$879.00

Handheld mic/transmitter with AEW-C5400 cardioid condenser capsule and a metal-body construction. Microphone has an operating frequency of 655.500 - 680.375 MHz (TV Channels 44 - 49).

AEW-T5400aC by Audio-Technica

AEW-T5400aC by Audio-Technica
$879.00

4000/5000 Series Handheld microphone/transmitter with cardioid condenser element, 541.500-566.375 MHz (TV 25-30)

Neumann KM184 MT Cardioid Studio Condenser Miniature Microphone with clip and windscreen - Black

Neumann KM184 MT Cardioid Studio Condenser Miniature Microphone with clip and windscreen - Black
$849.95

The KM 184 (cardioid) has become the studio standard for high-quality miniature microphones. Because of its optimized mechanical construction, the KM 184 is designed for economy-minded production and home recording studios who don’t want to compromise on quality. The KM 184 features incredibly detailed sound in a low-profile microphone. It excels as a spot microphone for instruments and is known worldwide for use with acoustic guitar. The mic can also be used in pairs as overheads or for ambient room recordings.

Neumann KM 184 Small Diaphragm Condenser Microphone Satin Nickel

Neumann KM 184 Small Diaphragm Condenser Microphone Satin Nickel
$849.95

The KM 184 microphone is the successors of the well-proven KM 84, which has been used since the seventies worldwide with great success. The Neumann KM 184 Small Diaphram Cardioid Microphone has become the classic high-quality miniature microphone. The pressure gradient transducer used in the KM 184 features very smooth frequency response not only for the 0 axis, but also for lateral (off-axis) sound incidence. In typical usage, there is no coloration of sound over a wide pickup angle. Although the KM 184 has the same capsule as the KM 84, the microphone differs slightly on the 0 frequency response: The KM 184 has a gentle rise at about 9 kHz (which brings out the sizzle in cymbals), a characteristic that was introduced very successfully with the KM 140. The result is a tonal balance that is fresher and livelier when compared to the KM 84 with its flat frequency response in that band. This difference was achieved with just a slight change of the capsule's rear opening, and is not due to resonances.With the same transformerless circuitry as is used in the KM 100 system, the KM 184 has excellent technical specifications. Compared to the KM 84 the dynamic range of the KM 184 increased by 24 dB mainly through the reduction of self-noise level to only 22 dB (CCIR) and an increased sound pressure handling capability of up to 138 dB. The KM 184 mic will operate without any problems, even if the input of following equipment happens to be unbalanced, for example as in some DAT recorders. The output is balanced and phantom (48V) powered.The KM 184 is a good economical alternative choice for users looking for a high-quality miniature microphone. You don't have to give up the electroacoustic features you expect from a Neumann microphone!

Neumann TLM 102 Condenser Microphone W/FREE mic cable.

Neumann TLM 102 Condenser Microphone W/FREE mic cable.
$759.95

At first glance, the TLM 102 stands out from other Neumann microphones because of its extraordinarily compact design. Don't let its size fool you! Inside the TLM 102 sits a large-diaphragm, cardioid capsule that Neumann developed specifically for their next generation of microphones intended for a broad range of applications. Like the rest of the TLM series, the TLM 102 is built around low-noise circuitry and captures sound sources without adding extensive color. It particularly excels with vocals, and the ability to handle extreme SPLs makes the TLM 102 a truly versatile microphone.

NEUMANN KMS105-NI Vocalist Microphone, Nickel Color

NEUMANN KMS105-NI Vocalist Microphone, Nickel Color
$699.95

Neumann is world renowned for their legacy of fantastic studio microphones, but with the elegant KMS-105 they are making their uncompromising standards available in an value-packed high quality hand held microphone.

Neumann TLM 102 MT Condenser Microphone, Cardioid

Neumann TLM 102 MT Condenser Microphone, Cardioid
$699.95

The TLM 102 defines a new generation of Neumann studio microphone. It sets a new performance and value standard for microphones at this price. It's reduced overall size contributes to an exceptionally compact appearance, which unites all of the typical design components of a Neumann microphone. The harmonious proportions and gleaming grille ring ensure that even at first glance, the TLM 102 attracts attention. The TLM 102 delivers impressive sound. It's newly developed large-diaphragm capsule (cardioid) clocks a maximum sound pressure level of 144 dB, permiting the recording of percussion, drums, and amps at extremely high output levels. Acoustic instruments benefit from the exceptionally fast transient response of the TLM 102. Where the TLM102 really shines is with vocals and speech. It has a slight boost above 6 kHz providing excellent vocal presence in an overall mix. Up to 6 kHz the frequency response is extremely linear, ensuring minimal coloration and a clearly defined, extended bass range. The capsule has an elastic suspension system reducing handling and structure-borne noise. A pop screen integrated into the grille serves to suppress plosives in vocal and speech recording. Due to its price and flexible field of application, the TLM 102 is ideal for home recording and project studio, as well the broadcasting area, especially when clear lines of sight to the speakers are a priority. The TLM 102 is available in black and nickel; a stand mount is included.

Neumann KMS 105 MT Condenser Microphone, Super-Cardiod

Neumann KMS 105 MT Condenser Microphone, Super-Cardiod
$699.95

The KMS 105 from Neumann is designed to optimally transmit the human voice under demanding conditions present on the live stage. The high acoustic resolution and smooth frequency response of this microphone ensures the musician has optimal control of the stage performance at all times. Due to their low coloration, self-noise and low crosstalk, the KMS microphones are ideal for use with in-ear monitoring systems. With its supercardioid characteristic the KMS 105 is particularly good at suppressing sounds originating from the sides of the microphone. The studio condenser capsule used in the KMS 105 provides the basis for transmitting all the nuances of the human voice. In comparison with other handheld microphones, which operate mostly with dynamic capsules, the KMS 105 has a particularly high acoustic transparency, a wide frequency range and amazing resolution.

Neumann TLM 102 Condenser Microphone, Cardioid

Neumann TLM 102 Condenser Microphone, Cardioid
$699.95

The TLM 102 defines a new generation of Neumann studio microphone. It sets a new performance and value standard for microphones at this price. It's reduced overall size contributes to an exceptionally compact appearance, which unites all of the typical design components of a Neumann microphone. The harmonious proportions and gleaming grille ring ensure that even at first glance, the TLM 102 attracts attention. The TLM 102 delivers impressive sound. It's newly developed large-diaphragm capsule (cardioid) clocks a maximum sound pressure level of 144 dB, permiting the recording of percussion, drums, and amps at extremely high output levels. Acoustic instruments benefit from the exceptionally fast transient response of the TLM 102. Where the TLM102 really shines is with vocals and speech. It has a slight boost above 6 kHz providing excellent vocal presence in an overall mix. Up to 6 kHz the frequency response is extremely linear, ensuring minimal coloration and a clearly defined, extended bass range. The capsule has an elastic suspension system reducing handling and structure-borne noise. A pop screen integrated into the grille serves to suppress plosives in vocal and speech recording. Due to its price and flexible field of application, the TLM 102 is ideal for home recording and project studio, as well the broadcasting area, especially when clear lines of sight to the speakers are a priority. The TLM 102 is available in black and nickel; a stand mount is included.

Neumann KMS 104 Handheld Vocal Condenser Microphone Matte Black

Neumann KMS 104 Handheld Vocal Condenser Microphone Matte Black
$699.95

KMS 104 Handheld Vocal Condenser Microphone Black The KMS 104 was developed to optimally transmit the human voice with respect to the demanding conditions present on the live stage. The KMS series has become the internationally acknowledged standard for first-class stage microphones.The high acoustic resolution and smooth frequency response of the microphones ensure that the musician has optimal control of the stage performance at all times. Especially due to their low self-noise and crosstalk behavior which is free of coloration, the KMS microphones are ideal for use with in-ear monitoring systems.The KMS 104 has a condenser microphone capsule with a cardioid directional characteristic which provides the best possible suppression of sounds originating from behind the microphone. In close cooperation with professional musicians, with the aid of extensive practical tests, the KMS 104 plus has been especially optimized for the requirements of female voices in the rock and pop field.The user can thus select the version that is optimally suited to the specific application.Acoustic featuresThe studio condenser capsules used in the microphone versions provide the basis for transmitting all the nuances of the human voice. In comparison with other handheld microphones, which operate mostly with dynamic capsules, the KMS series has a particularly high acoustic transparency, a wide frequency range and a fine resolution of transients.In KMS microphones, carefully adjusted acoustic filters and transformerless impedance converters that can handle very high sound pressure levels prevent the microphones from being overloaded even by strong plosive sounds.In spite of excellent pop protection, sibilants and "S" sounds are transmitted with their natural accentuation, as is possible only with condenser microphones. Furthermore, the above-mentioned acoustic filters are designed so that the distinctive directional characteristics of the capsules are preserved even in the bass range. ...

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