For the same price as an SM58 ($99), the e835 pulls ahead with some specs.
At the time I bought my two e835’s, they met my needs
perfectly. I needed a vocal mic for my
guitarist and a mic for his guitar cabinet. I think of the e835’s in my mic
case as the “guitarist’s mics.” To this
day, they still work perfectly for these two applications. They also serve a third purpose: decoy. When the drunk girl balancing herself on my
keyboards yells at me, “Hey I looooove this song, can I sing?” I say, “sure, right over there is a tall guy
holding a guitar. Use his mic.” In their stumble from me to him, I hit that
mute button. It’s like watching UFC with
the sound off.
So the e835 works perfectly for stage vocals. The frequency response is slightly wider than
the SM58, and the polar pickup pattern is the standard cardioid.
One thing I like a lot about the e835 is its ability to
perform very well off-axis. This is why
it comes in handy for guitar cabinets.
Although I probably should, I never use a stand to mic the guitar
amp. I just hang the mic by its cord
from the guitar cabinet handle. The
trick is to make sure the e835’s head is hung right in front of a speaker. In this specific setup, the e835 outperforms
the SM58 by far.
The e835’s design and construction are slightly more
discreet than most stage vocal mics. The
whole body is a dark metallic color, and the grill is black. This helps maintain a low profile on stage
because chrome mics will reflect every light aimed in their direction. So if singing into a rainbow isn’t your
thing, the e835 offers a nice alternative.
One problem with the Sennheiser e835 is this mysterious rust
that’s beginning to consume the grill.
If I just owned one, I might pass this as an isolated incident. However, both my mics are getting rusty. It’s like a VD for mics. They’ve been subjected to the same conditions
and environments as my stage-grade Shures, Audixes and other Sennheisers;
however, according to the company, the e835’s are susceptible to rust by the
nature of their job. Sennheiser said that
there’s still a pop filter below the metal grill and that the capsule is well
protected. Replacement grills (called
baskets) are available from the Sennheiser spare parts department for $13.67,
and that includes a new pop filter.
The e835’s are designed to reject feedback. However, I’ve found them to be slightly
temperamental to feedback. Any mic feedbacks
in extreme conditions, but it just seems the e835 is unpredictable and very
sensitive to slight movement. So, even
when we get all our levels set during sound check, there’s always a risk in the
back of my mind that the e835 may bug out during performance. And that’s with a Behringer graphic feedback
killer in the monitor line.
The Sennheiser e835 is also available with a switch (e835S),
but there should really be no need to have a switch on a microphone. That’s just extra circuitry and one more
thing that could potentially break down within the components of the mic. If you want a Sennheiser with a switch, then I
suggest downgrading to an e825S.